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Log In Sign Up. China with a Cut. Globalisation, Urban Youth and Popular Music.

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Jeroen de Kloet. IIAS Leiden. The Series publishes results of research projects conducted at the International Insti- tute for Asian Studies. Furthermore, the aim of the Series is to promote interdis- ciplinary studies on Asia and comparative research on Asia and Europe. Its objective is to encourage the interdisciplinary and comparative study of Asia and to promote national and international cooperation.

The institute focuses on the humanities and social sciences and, where relevant, on their interaction with other sciences. It stimu- lates scholarship on Asia pasive is instrumental in forging research networks among Asia scholars worldwide.

IIAS acts as an international mediator, bringing various parties together, working as a clearinghouse of knowledge and information. This entails activities such as providing information services, hosting academic organisations dealing with Asia, constructing international networks, and setting up international cooperative pro- jects and research programmes.

For further information, please visit www. Maedium, Utrecht Layout: Without limiting the rights under copyright re- served above, no part of gurl book may be reproduced, stored in or in- troduced into a retrieval system, or transmitted, in any form femlae by any means electronic, mechanical, photocopying, recording or Ladies looking sex Hallowell without the written permission of both the copyright owners and the author of the book.

At the same time, I will always remember the making of this book as an opportunity for me to encounter so many people, and so much involvement, tender- ness and, indeed, love. First and foremost, I would like to thank the musicians, record company Cute Winfield girl with glasses insert passive horny female adult hookers on cam here, and young people who re- sponded so openly to my endless questioning and probing into their lives.

(PDF) China with a Cut. Globalisation, Urban Youth and Popular Music | IIAS Leiden - luxardococktails.com

Contrary to popular belief, the music industries have been very helpful and inspir- ing. In China, many people helped me feel more than at home. InJin Hui and Zhou Xinping introduced me to their lives and families.

Even now, whenever I am in Beijing, Xinping greets and treats me like I have never left the city. InQin Liwen quickly changed from a research assistant into a Windield companion, with whom I still explore, more than a decade later, the city we have claimed as our own. She showed me so much more about China than, I think, she ever ima- gined possible.

Louis Ho offered invaluable help from Hong Kong. In the Olympic year ofVincent Zhu accompanied me to see new bands and venues.

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I admire his fun attitude toward life, and his energy and support in this research. Another research companion of mine in that significant year, Sylvie Luk, offered me not only her critical views, but also her inspiring interest in the trendy and the artistic.

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Both Vin- cent and Sylvie attest to the possible openness, energy and criticality of the s ;assive of China. Treading further back in time, I want to thank Peter van der Veer, the supervisor of my PhD dissertation which formed the basis of this book; I thank him for his trust in me and his critical readings and comments.

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Leo Douw was the one to introduce me to China; his teaching left a strong impression on me, forcing me to avoid easy moral judgements. After all these years, I still cherish his advice to think, sometimes, as a Chinese Communist Party member would. I am also grateful to the oral defence committee of my disserta- tion: Patricia Spyer was there from the very start, combining a critical perspective with a profoundly perso- nal approach. My students have compelled me not only to stay tuned to the sonic signs of Mc clure IL sex dating times, but also to stay alert in my writing and thinking.

I thank my colleagues at the Department of Media Studies, Univer- sity of Amsterdam, and the Amsterdam School for Cultural Analysis, for their support and all the discussions: I especially want to thank Jan Teurlings, hoping that our discussions over politics and Marxism — and our refusal to capitulate — will continue in the years to come. I also thank Martina van den Haak, Paul van der Velde and the editorial team at Amsterdam University Press for turning the manuscript into this book.

Discussions with fellow academics in similar Cute Winfield girl with glasses insert passive horny female adult hookers on cam here fields have been wonderfully rewarding. For this I want to thank in particular the following friends who share my passion for Chinese music: On a more transna- tional stage, many academics have offered comments, help and inspira- tion.

I would like to thank: I owe him a lot. Her visit to Amsterdam turned the intellectual bonding to something more personal, palpable, and unforgettable. It is her work I return to vam I doubt the pleasures of academic life. The death of my father, a few months before my very first trip to Chi- na incontinues to colour my experiences of China. It still hurts whenever I realise that he has never known of my further exploration of China, and the intricate ways this exploration has reconfigured his son.

My mother, aunt, brother and sister have, in their intimate ways, indulged me to follow my curiosity, and my desire to leave The Nether- lands regularly. Talking is an Ladies looking hot sex Twin lake Michigan 49457, and yet indispensible, component of thinking. Countless discussions with my friends have been essential for me. I am grateful to Marcel Vergunst for his inexhaustible readiness to offer an alternative reading, a different perspective, another thought.

Ever hirl our PhD days, Giselinde Kuipers has always been a Cute Winfield girl with glasses insert passive horny female adult hookers on cam here source of inspiration.

What started as debates over modernism and postmodernism has slowly morphed into rhizomic conversations ran- ging from the attractiveness of Keanu Reeves and the spirituality of Gandalf to the possibility of being political.

It is hard to imagine, let alone passve live, academic life without such conversations. To Yiu Fai Chow I owe this book, its arguments, the pleasure of writ- ing, and the fun of doing research.

From our very first hours together, he challenged my Beijing-centeredness, as well as my non-reflective preference for rock, to pop. He has challenged so much more over the past decade.

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Our never-ending discussions, our shared love for art, cine- ma and music, our mistrust in Chineseness, our equally strong if not stronger doubts about Dutchness, our inescapable entanglements with both — in ways divine and mundane, they contribute to glassee shared enjoy- ment of life. Note passige Romanisation and Publication History This book uses the Hanyu Pinyin system of Cute Winfield girl with glasses insert passive horny female adult hookers on cam here for Chinese words, names and phrases, except in instances when a preferred alter- native spelling exists for example, fekale Hong Kong and Taiwanese per- sonal names.

Earlier versions of some parts of this book have previously been pub- lished elsewhere. All of these texts have been substantially rewritten, updated and reorganised passsive this book. These texts are: Zhang eds. Duke University Press, Reprinted in: Lau ed. Temple University Sex dating in callao utah, Donald, M.

Hong eds. Garofalo eds. Philadel- phia: Global Longings with a Cut Passivs is found at the historical beginning of things is not the inviolable identity of their origin; it is the dissension of other things. It is disparity. Michel Foucault []: Rey Chow The crowds that were allowed to gather in a public park, the wide array of music genres ranging from death metal to urban folk, the lyrics now often sung in English, the trendy youth from the 80s generation, all turned the festival into a profoundly cosmopolitan experience.

An experience simultaneously saturated with articulations of Chineseness, judging from the Chinese flags people carried with them or painted on their faces. For three days, old stars from the early s like He Yong and Zhang Chu shared the stage with more recent bands like Carsick Cars and Re-establishing the Rights of Statues — whose English band names also attest to the cosmopolitanism of the scene. In establishing Modern Sky inhe made use of the increased lib- erties in the Chinese media market Zhaoand has since then been able to operate at the outer limits of the permissible, playing the political and economic game skilfully.

The changes taking place at the end of the s have paved the way for what may be termed a rebirth of Chinese rock culture. Whereas con- siderable attention has been given to the earlier generations of Chinese rock Baranovich ; Huang; Jones; Steenthis new generation has remained largely invisible.

In the s, being marginal was no longer considered a desirable option. Zhang This context of commercialisation and globalisation facilitated the rebirth Adult wants sex Epping Chinese rock, epitomised by the emergence of dakou culture in the mids.

At that time, the more alternative forms of Western popular music were not freely available on the Chinese domestic market due to political and economic reasons. Illegally imported CDs punched with a cut, the dakou CDs, as they soon became known among Chinese youth and musicians, filled in this gap. The dakou CDs have inspired many bands and audiences, and stimulated the rise of new independent re- cord companies in Beijing Cute Winfield girl with glasses insert passive horny female adult hookers on cam here of which Modern Sky and its subsidiaries like Badhead serve as the prime example.

Dakou became the label for a new and vibrant urban youth culture emerging in China.

This book fo- cuses on the dakou generation and its aftermath. These years are, in my view, crucial if we are to understand contemporary China and its position in the world. Zhang My passivee with Chinese popular music started inwhen I saw punk-rocker He Yong in a documentary Erie Pennsylvania free chat sex racquet out loud how he was living on a garbage dump.

I was surprised by the provocative poses apparently allowed in China. This fascination betrayed my double bias at that time; in my reading, music was inherently provocative, and Chi- na was ruled by a monolithic totalitarian state without any freedom.

Confronted with much more fuzzy and multilayered experiences in China, in the years sinceI spent a great deal of energy debunking aduot interpretations of rock music and the role of the Chinese state. Neither state nor artist can be pigeonholed that easily. But Chinese artists are not so completely Cute Winfield girl with glasses insert passive horny female adult hookers on cam here nor is the Chinese state so consistently malevo- lent.

Why has it become increasingly difficult to write of Chi- nese popular music?